“Pink Sky Dream“ by Erika Harrsch, Mixed media, acrylic on linen, 40 x 48 in
Erika Harrsch from Mexico and New York, in the current exhibit at HVCCA,
“Between I & Thou,” draws upon old master paintings to bring sharp focus
on her vivid portraits.
February 28, 2017
Details: LOT No. 110
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– Rebekah Bowling, Head of Sale, New Now -
Hudson Valley Center for Contemporary Art
HVCCA’s newest exhibition
Opening Reception: February 4, 2017, until January 2018
Between I & Thou includes artists from around the globe, exploring interconnections between the personal, cultural, religious and national. The works reflect the human need to tell the story of self and society, offering a rich conversation about the sameness and differentness among us. There is an emphasis on the inclusion of senior artists whose works cogently reflect lives lived across significant changes in history.
Artists: Cristina Arnold, Laura Battle, Peter Bynum, Orly Cogan, Leonardo Drew, Camille Eskell, Christian Guðmundsson,
Erika Harrsch, Meg Hitchcock, Chris Jones, Barbara Korman,
Cal Lane, Katherine Mangiardi, Todd Murphy, Brigitte NaHoN, Susan Obrant, Jong Oh, Margaret Loy Pula, Liz Quisgard,
Raquel Rabinovich, Asya Reznikov, Faith Ringgold, Aminah Robinson (Aminah Brenda Lynn Robinson), Antonio Santin, Yardena Donig Youner, Jayoung Yoon, Judith Zabar.
1701 Main St. Peekskill, NY 10566
REGULAR MUSEUM HOURS: Tuesdays - Thursdays: By Appointment Only
Fridays 11 am - 5 pm, Saturdays 12 - 6 pm, Sundays 12 - 6 pm
Erika Harrsch, Erika, 2016 (detail) Acrylic and Collage on linen, 50 x 30 inches
Opening Reception: Sunday, September 11, 6-8pm
Exhibition Date : September 11 – to October 16, 2016
299 Grand Street, New York, NY 10002
MARC STRAUS is proud to present The Incredible Likeness of Being, a group exhibition that investigates the ‘Self’ through new paintings by five international contemporary artists. In Erika Harrsch's ensemble of mixed-media paintings, she explores issues of identity through her different cultural lenses, depicting the (her) female body connected to elements of animal anatomy, both mammals or insects, with eroticized sketches and a diversity of media associated with opulence and sensuality.
Festival a-part / Alpilles-Provence'art
July 28th until August 27th, 2016
Eros-Thanatos is a multilevel visual work and soundscape representing the life cycle on earth: the human and the animal, desire and compulsion. It addresses the open world contained in a closed room. Recorded at the Monarch Butterfly Sanctuary in Michoacan, Mexico. Thousands of printed polycarbonate butterflies cover the floor of the space to provide visitors with an artificial experience of the natural phenomenon as well as a reminder of the fragility of life and the power of nature. Video and installation with sound collaboration by Edmund Mooney.
Primera edición, impreso Enero 2016 / First edition, printed January 2016
D.R. © 2015, Secretaria de Cultura and Nevada Museum of Art
(Consejo Nacional para la Cultura y las Artes) Dirección General de Publicaciones
© 2015, Erika Harrsch
© Textos / Texts: Xavier Canonne, Irving Domínguez, Santiago Espinosa de los Monteros, Elizabeth Ferrer,
Erika Harrsch, Jean Kumagai, Randall Miller, JoAnne S. Northrup, Eric Quinter, Richard Vine.
© The authors and the Nevada Museum of Art
Coordinación editorial / Editorial coordination: Analía Solomonoff
© Diseño / Design: TodoBien Estudio, Brenda Rodríguez, Oscar Reyes
Printed in Mexico
Spanish and English, 180 pages, 300 images.
More information and buying please contact: email@example.com
Matucana 100, Santiago de Chile, Chile
Curador: Paco Barragán
Av. Matucana N° 100 Estación Central, Santiago - Chile
10 noviembre 2015 - 3 enero 2015
International Animation and Digital Art Festival
Galería Libertad (Libertad 56, Centro),
Queretaro, Qro. Mexico
Opening Thursday, November 12th, 17:00 hrs
Exhibition until December 8th
Listen to Erika Harrsch´s LEDcello story by Jean Kumagai, in Radio
"Here and Now" 90.9wbur Boston's NPR news station
LED Cello Lights Up The Stage By Jean Kumagai
"…The cello, played well, is a soulful instrument. So human, so organic. The last thing you'd think a cello needs is high-tech enhancement. And yet, several years ago the visual artist Erika Harrsch began collaborating with cellist Maya Beiser and composer Paola Prestini on a new work. Harrsch had an idea: What about an LED cello? An instrument covered with panels of light-emitting diodes. Harrsch says at first, it was a tough sell…."
Mexico DF Dic 2014 -Enero 2015
DESCONTEXTUALIZACIONES Y SENTIDOS
Erika Harrsch Por Aline Shkurovich
Fahrenheit - Art, news and lifestyle
JANUARY 18 - MARCH 12, 2015
Works by: Carol Anthony,Imna Arroyo, Louise Bourgeois, Carolyn Kay Chema, Erika Harrsch, Sophie-Alexia de Lotbiniere, Ana de Orbegoso, Lee Paine, Yolanda Petrocelli, Howardina Pindell, Liliana Porter, Sandra Ramos, Varda Yoran
Greenwich Arts Council at The Bendheim Gallery
299 Greenwich Avenue, Greeniwch, CT 06830
September 7th, 2014 at 6:00 PM
48 Orchard Street, New York, NY 10002
Curated by Giuseppe Ruffo & Pietro Tatafiore
Maria Giovanna Ambrosone | Dean Dempsay
Erika Harrsch | Anthony Hawley | Arturo Ianniello
Choi Jaeyong | Marta Jovanovic | Corrado La Mattina I Francesca Magnani
The University of Nevada, Reno awarded Erika Harrsch as the SOTA Series Artists-in-Residence and appointed as Guest Faculty to co-teach Art in Public Places, incorporating the first multi-disciplinary-collaborative program with Professor Joseph DeLappe. During the Spring 2014 semester Erika Harrsch lead the Visiting Artist MFA in Studio and the Interdisciplinary Grad Students program.
New York artist Erika Harrsch’s multimedia work reflects her life experiences by connecting, art, science, technology and social studies into interactive and poetic experiences, which expand the meaning of art itself. She began her journey as a painter and stretched the scope of her practice by experimenting with photography, video, animation and interactive installations.
The University of Nevada, Reno awarded Erika Harrsch as the SOTA Series Artists-in-Residence and appointed as Guest Faculty to co-teach Art in Public Places, incorporating the first multi-disciplinary - collaborative program with Professor Joseph DeLappe. During the Spring 2014 semester Erika Harrsch will lead the Visiting Artist MFA in Studio - Interdisciplinary Grad Students program.
Lectures, Panels, and Dialogues
Erika Harrsch Artist Talk 1:00 PM
Thursday March 6th, 2014
Neuberger Museum of Art.
State University of New York
735 Anderson Hill Road, Purchase,
Work by Erika Harrsch, Miguel Luciano, Esperanza Mayobre, Favianna Rodriguez, and Judi Werthein
August 28 – October 26, 2013
Featuring Erika Harrsch " United of North America passport performance"
September Friday 6th and September 7th
MACLA/Movimiento de Arte y Cultura Latino Americana
510 S. First Street, San Jose, CA 95113
Tel: (408) 998-2783 x 22
Featuring Erika Harrsch " United of North America passport
performance" Sept 11th
Rubin Center Hours
Mon, Tue, Wed, and Fri : 10 am – 5 pm. / Thurs : 10 am – 7 pm.
Weekends by appointment. All events are free and open to the public
Stanlee and Gerald Rubin Center for the Visual Arts
The University of Texas at El Paso
Fax: 915 747-6067
Room 35 is a multilevel artistic expression within a musical performance. A multidisciplinary collage on stage with performance, music, video, animation, moving images and sculptural elements designed and created by Erika Harrsch. Room No. 35 maps the labyrinth of the heart and seeks to unify the tangential impulses of the human spirit, a surrealist story about a person attempting to escape from a dream in which she meets four other versions of herself. The stage includes various sculptural elements, including the @Erika Harrsch LEDCello, incorporating sound, lighting design and projected visuals.
To be Premiered at the Krannert Center for the Performing Arts,
February 1st, 2014
UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN
- Erika Harrsch : Visual Director and artistic lead
- Paola Prestini : Composer and artistic lead
- Maya Beiser : Cellist and artistic lead
- Machael McQuilken : Dramaturg
- Beth Morrison : Creative Producer
Mexican Artist Erika Harrsch Flying her currency kites in Long Island City NY in 2012. Part of a series of performances with flying currency as "Inverted Sky" at World financial center in NYC part of River to River festival in 2012, Skyfull at OMW performance designed by Erika Harrsch and Paola Prestini with Claire Chase and Eric Lamb.
On Saturday, Ms. Harrsch was at the Aldrich Contemporary Art Museum in Ridgefield, Conn., with her project, "United States of North America Passport." Her installation envisions a borderless North American continent — a fictitious entity called the United States of North America — and encourages museum visitors to apply for a passport that will make them citizens.
Once an application has been completed, Ms. Harrsch, playing the role of bureaucrat, invites applicants to spin a wheel to determine their fate.
Ms. Harrsch has traveled the country with the exhibit, and shown it in China, Mexico
and Poland. In the United States, activists and undocumented immigrants sometimes approach her. "They say, 'If this is a serious issue, why are you losing your time doing an art project? Do something for real,'" she said. "It's not for me to speak with a loud voice to anybody. It's for me more to speak to communities that bring this to the attention of leaders. It's very difficult to approach leaders, and easier to approach the world."
Butterflies Roam at a Concert Hall in Infancy, Still Without a Roof
In a performance designed by the visual artist Erika Harrsch, butterfly-shaped kites were printed with blown-up images of American currency, a beautiful but melancholy accompaniment to works for flute duet by Mario Diaz de Leon and Julian Wachner.
The Aldrich will host an opening reception to introduce united states, a semester of solo exhibitions and artist's projects that approach both the nature of the United States as a country and "united states" as the notion of uniting separate forms, manners, or conditions of being. Subjects that are touched upon include history (and forgetfulness), war, political division, race, the economy, immigration, competition vs. cooperation, mythology, group psychology, the social contract, and consumerism. No one series of exhibitions can summarize the complexity of the meanings inherent in the concept of "united states," however the goal is not to provide closure, but rather to echo the belief that disparate entities united to form a whole are hopefully greater (and more profound) than the simple sum of parts.
Twelve artist's projects that approach both the nature of the United States as a country and "united states" as the alliance of separate forms, entities, or conditions of being.Timed to coincide with the 2012 American election season, united states is presented at a time when political and social divisions in this country are readily apparent, and polarization on many major issues is at an historical high.
united states includes projects by Jane Benson, Alison Crocetta, Celeste Fichter, Erika Harrsch, Sui Jianguo, Nina Katchadourian, Matthew Northridge, Risa Puno, John Stoney, Frances Trombly, Rosemary Williams, and Jenny Yurshansky, as well as solo exhibitions by Pedro Barbeito, Jonathan Brand, Brody Condon, Brad Kahlhamer, Brian Knep, Erik Parker, and Hank Willis Thomas.
The artists included in Paradox: The Limits of Liberty reflect in a critical manner on contemporary forms of tensions:
war –Gordon Cheung, Piers Secunda-, democracy -Alex Rodríguez, Majeed Beenteha-, religion –Yvette Mattern, Eugenio Merino, Andrés Serrano-, celebrity -Erwin Olaf-, gender –Eli Cortiñas, Erika Harrsch-, and individual freedom –Siri Hermansen, Terry Rodgers.
Paradoxically, the experience of more liberty generates even more fear of liberty. Maybe we should ask ourselves where the limits in our aspirations towards liberty are… Paco Barragán
Erika Harrsch: Inverted Sky
Erika Harrsch's solo show transforms ArtGate Gallery into a laboratory for thought on the joys and challenges that emerge from the intertwining of our lives in one global community. The thought-provoking installations, kites, entomological boxes, and paintings of Inverted Sky create a weave of intersecting perspectives: lives of individuals in nature, scientific calculation, commerce and trade, and questions of global ethics.
The exhibition invites the spectator to reflect, as the animated fluttering of paper butterflies in the installation Cashcube beckon viewers inside to witness species of currency butterflies. Some of these monetized butterflies are pinned etymologically as extinct specimens ready for inspection. Others migrate across paintings, sometimes freely and unpredictably, at other times suffering from the effects of economic choices on the natural environment. Harrsch invites us to consider how our lives are enmeshed in relations of interdependency.
The artworks in this exhibition depict a weave of parallel paths and interdependent dimensions that open up alternative outcomes in the search for new utopias. Will the precision of scientific objectification finally pin unique individuals into lifelessness? Both the strength of a surrealist-like humor and the brilliantly colored species of butterfly-currencies suggest otherwise: nature and its interdependent individuals, no matter how much late-modern technicians predict, measure, and manage.
The professional grade etymological butterfly boxes containing extinct European currencies -- Papilionnumismia Ephemerae Europeae -- are surely sites of reflection. Delicate and free flutterings of fragile living individuals may yet create a promising inversion, where unreachable, cloud-like imaginings float down to earth and transform a commodified environment back into an incarnate atmosphere open to creativity. In the new painting Twist, butterflies maneuver in an openness of air with uncharted possibilities. The sky is alive and there is an inversion at play.
Inverted Sky suggests a turning over of conventions and norms. Yet, exactly which inversions will emerge – and from what sources -- remains a question. On the one hand, the painting Melt shows a volcanic eruption, where the natural environment spews dust and smoke enough to paralyze a whole continent of finely-engineered aircraft. Nearby, wayward technologies spill oil. Both dust and oil cannot be separated from rivers and blood streams, visible in nearby parts of the composition. As the painting Pump suggests, the spell of spirals exists in the same world that displays ink-like splashes of petroleum sludge. Harrsch invites each viewer to palpitate and ponder the pathways that are now unfolding for us. . She subverts easy stereotypes and leads viewers to the work of questioning, without imposing closure or set answers.
Harrsch's oeuvre confronts pressing issue with spirited and compelling directness. The exhibition includes a whimsical sixteen-foot Dragon Kite, where fabric of spinnaker nylon displays an image of Mao enlarged from fragments of Chinese currency. The Dragon and the US Currency Kites premiering at ArtGate Gallery will fly prodigiously the financial center of Manhattan, at the River-to-River festival, in June of this year.
- ArtGate Gallery Press realease -